Star Trek Beyond – Story, Characters, Popularity, Movie Review, and More

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Movie Star Trek Beyond

Star Trek Beyond is an American science fiction action film released in 2016, written by Simon Pegg and Doug Jung, and directed by Justin Lin.
When the stars and filmmakers of “Star Trek Beyond” gathered in Los Angeles last month for Anton Yelchin’s funeral, they had a decision to make.
His film, the third in the revamped series, was coming out in less than a month and promotion was imminent.
They could go out to speak to the press in the raw weeks after the death of the beloved companion, or they could withdraw.
“We conclude that if we avoided it, we ran the risk of not helping a movie that we should see.
Even more so because Anton Yelchin is in it,” said Simon Pegg. So we find the strength to be there.

It’s difficult to talk about this, but if we don’t speak, it’s like trying to ignore it.
Persevering in the face of loss is part of the message of “Star Trek,” which celebrates its 50th anniversary this year with a story of unity and hope in the federation.
“Star Trek Beyond” was supposed to be a regular movie, though it wasn’t without a few twists behind the scenes.
JJ Abrams, who re-launched the 2009 film with a new cast and directed the 2013 sequel.
It was fully occupied with “Star Wars: The Force Awakens” and handed over executing responsibilities to Justin Lin.
He is the man who turned the weakened “Fast & Furious” series into an international phenomenon.

Instead, Pegg, who plays Scotty in the movies, had to write with Doug Jung. It didn’t seem like an easy task.
Although no big-budget film is, this compounds because the “Beyond” team had too short a window of time to work.
By the time Pegg, Jung, and Lin started the story; it was January 2015.
“Justin was in a situation that no director should be in – making a movie that hasn’t,” Pegg said.
There was already a team in Vancouver waiting for directions on what to build for the set.
“I liken it to driving a car and building the road at the same time,” Lin said.

In front of the camera, things seemed the same. Chris Pine returned as Captain James Kirk.
As did Karl Urban (Bones), Zoe Saldaña (Uhura), Zachary Quinto (Spock), Yelchin (Chekov), and John Cho (Sulu).
Who reveals to be gay in the latest movie.

There were few additions to the cast: Idris Elba as the terrifying villain Krall and Sofia Boutella as the lonely Jaylah.
At the beginning of production is called by the actors “Hannah Solo.”
Leonard Nimoy, the man who created Mr. Spock, died of chronic lung disease at age 83.
Even though Quintus had officially assumed his character, Nimoy had appeared in both new films as Spock Prime, and the door had been left open for his return.

The dominant feeling watching ‘Star Trek: Beyond’ is that those responsible.
They bet everything to create a light and dynamic adventure with which it was impossible to get bored.
The only significant toll to pay is that he does not care the slightest bit about trying to integrate new viewers.
So one depends on being already in on character dynamics – there are some initial notes on the motivations of Kirk and Spock.

The first consequence of this is that Lin opts for a very lively rhythm in which there is hardly room for pause once events have precipitated.
It is vital so that one can have a good time in general lines and above the specific effects of any scene – in terms of spectacle.
It is undoubtedly the Kirk moment on a motorcycle that looks the best. His approach to the action is not exemplary for me.
I prefer greater clarity with more sustained shots, but it does fit with everything that proposes up to then.

Trying to take everything further in visual and emotional terms fails to take that necessary step.
Entrusting everything to what shows about Kirk and Spock in their first minutes helps to make up.
They partly succeed since that allows one not to disconnect from what, in general terms.
It is a standard confrontation, but it is not enough to reach the level of the two deliveries made by Abrams.
We will no longer be able to see Anton Yelchin’s likable Chekov again – to which we should add a more than correct Sofia Boutella.
Yes, do not expect that reaches the level exhibited in the magnificent ‘Kingsman: The Secret Service.’
How Pegg and Jung’s script capitalizes on it is essential to make it more than just an adventure to use and throw.
It is negative, but it is always preferable to aspire to something more.

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